Walmarts Sustainable Business Development - 1666 Words

Walmart’s Sustainable Business Development The purpose of this paper is to introduce you to the role of sustainable business philosophies and practices of Walmart as well as looking at Walmart’s strategic management perspectives and what type of impact and influences they have on the external forces in the industry. While also focusing on Walmart’s concept of value creation applied to SBD (sustainable business development) and their strategies. Defining Sustainable business philosophies are a system of fundamental or motivating principles that a business handles in different areas of operation based on the actions or beliefs of that business. â€Å"For businesses to have a sound business philosophy is the cornerstone of a successful business† (Burney, n.d). The businesses philosophy is usually the company’s mission and vision statement, which explains the company’s overall goals and their purpose of being in business (Burney, n.d.). 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Discussion on Cultural Heritage-Free-Samples-Myassignmenthelp.com

Question: Discuss about the Cultural Heritage. Answer: Discussion Cultural heritage refers to a way of living developed in a community by a specific generation and is passed over to other generations in different forms. The main message of the article is that, popular music should take part in creating cultural heritage and the various ways how it can. I dont agree with the author because his main ideas reflect an ancient thinking without considering the current changes that are also important in creating cultural heritage. Below is a critic of the article on how the authors writing is biased in various ways. Popular music as referred in most cases is known to influence the concepts of various values, norms and beliefs that influence way of life of a specific generation both present and past. The author puts this idea across in a view that its mandatory for every popular set of music to recognize a past experience or practice in order to create a memory while one can create an idea to be emulated later as well (Leonard and Robert Strachan, 2010). Popular music faces various challenges of intelligibility similar to that of traditional times as not all in the industry are fully modernized unlike the way the author puts it. Creating cultural heritage is a communal responsibility from the popular music fraternity, the community members as well as the visitors to enhance a creation that fits all relevant ideas to enhance its significance. The author gives biased information in that the visitors and the community members feel left out in creating a significant heritage (Parr, et al, 2009). Material culture of popular music as the author says, process of its recognition to collection and display is very important to ensuring that the right material is put on board but its value is not developed or made but enhanced. An artefact is not made but enhanced to fit its value to help explain the heritage unlike what the author suggests of value making to represent both social and political institutions at the museum level. Locating popular music sites as indicated by the author in the areas of Northern part of pacific town will influence the popular message in that area but will not change the original message. Upon listening to the music set, the listener identifies with a specific cultural heritage hence not in all cases that the location identifies with the heritage to be formulated. Every human being relates with a specific cultural heritage and the intervention of the various organizations like ICOM and UNESCO only help in formalizing the aspect but cannot influence a cultural change that people are not willing to take part in like the author suggests even if they are visitors. Personal engagement like in the case of Nirvana is only a success in presence of willing cultural individuals and not by willingness of the organization as the author puts it. Reading the article has enhanced my understanding on the importance of popular music in forming cultural heritage. The article is worth reading to enhance once knowledge on the scope of popular music and cultural heritage. References Leonard, Marion, and Robert Strachan. (2010). The Beat Goes On: Liverpool, Popular Music andthe Changing City. Liverpool: Liverpool University Press. Parr, Joy, Jessica Van Horssen and Jon van der Veen. (2009). The Practice of History SharedAcross Differences: Needs, Technologies, and Ways of Knowing in the Megaprojects.